As the combustibles ignite, the flames are starved of oxygen by quickly covering the whole thing with a metal bin, causing the flames within to “steal” oxygen from the glazes as they try to keep burning. The flames change the chemical makeup of the glazes and in so doing effect their colours.
In addition, this “post firing reduction” technique generates a lot of carbon which gets driven into any unglazed parts of the pottery, including the unique patterns of crazing that have occurred in the glazes due to the rapid cooling of the pieces. A black, crackled finish and flashes of metallic lustre are distinctive features of this kind of work.